fiberglass like some kind of swoopy, sports car canvas was simply a creative lark sequel to the build.
  "It was something the painter and I were playing around with on paper. We sketched it out. It came out a lot better than I thought it would."
  Troy wasn’t out to build a rolling tribute to the wonders of modern paint. But he didn’t turn down Dupont when they asked him to drive to Missouri for a shoot for their 2002 national calendar. He’d fill the slot as Mr. october, thank you.
  The result might be described best as pure American pop art. But the work begins much deeper than the explosion of colors because Troy’s ‘85 is a total departure from stock.
  "I went extreme. I completely re-did the whole car. Everyone else